Prithviraj Kapoor’s towering character and his dominating presence on the silver show display was enigmatic and left a sturdy have an effect on on the viewers. The veteran theatre actor was very choosy about his film roles and this resulted in him exhibiting in memorable roles the place he gave his all. One of many essential well-known roles of his career was that of Emperor Akbar in Okay Asif’s Mughal-e-Azam and for that, Kapoor immersed himself throughout the character.
In a 2010 interview with The Indian Particular, Shammi Kapoor shared that his father Prithviraj Kapoor’s “extremely efficient presence” and “thundering effectivity” made him wonderful for Akbar. Shammi shared that he was often present on the set of Okay Asif’s magnum opus whereas his father was capturing the film.
Shammi Kapoor recalled, “My father purchased into the pores and pores and skin of the character by relying totally on the script and the director. He may be on the items, sipping chai and smoking, often attired, and Asif saab would affectionately inform him to arrange for his shot. He would enter the make-up room saying, ‘Prithviraj Kapoor ab jaa rahaa hai’ (Prithviraj Kapoor is leaving now). When ready, he would come out saying, ‘Akbar ab aa rahaa hai’ (Akbar is arriving now).”
He then proceeded to share that for the battle sequences, Prithviraj Kapoor wore precise iron armour throughout the sweltering heat of Rajasthan. The opening scene of the film, which confirmed Emperor Akbar strolling barefoot as he prayed for an heir was shot in a desert beneath the scorching photo voltaic and Kapoor ended up with blisters on his toes, nevertheless he didn’t compromise on the authenticity of the shot. “Throughout the battle scenes, he uncomplainingly wore the precise iron armour that was so heavy. Via the sequence when Akbar walks to Ajmer Sharif to hope for a son, my father actually walked barefoot throughout the desert photo voltaic, and his soles have been full of blisters,” he talked about.
Whereas Mughal-e-Azam is often remembered for its love story between Salim and Anarkali, Shammi believed that the film’s protagonist was Akbar and thus, the title of the film was Mughal-e-Azam. “Reverse to the favored notion that the film was the love story of Salim and Anarkali, Mughal-e-Azam, was about this incident in Emperor Akbar’s life, and that’s why Okay Asif didn’t title the film as Salim-Anarkali. My father Prithvirajji was the Mughal-E-Azam, the hero of the film,” he talked about.
Sharing one different anecdote from the long-lasting “Jab Pyaar Kiya To Darna Kya”, Shammi Kapoor talked about that throughout the sequence, Emperor Akbar was presupposed to be enraged with anger reflecting in his eyes and director Asif gave him his time to get there. He talked about, “All through Madhubala’s defiant music Jab Pyaar Kiya, the emperor’s eyes flip pink with rage. My father did that sequence with out glycerine. I recall Asif saab telling him to take his time and watched my father turn into that mood and his eyes turning pink.”
Prithviraj Kapoor’s effectivity as Akbar created a benchmark for interval film performances in Hindi cinema and stays to be considered the simplest iterations of an emperor that we now have since seen on celluloid.
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